music/sound design for dance & theatre
Blindsight/Dogsound On-going dance theatre collaboration with dancer paige starling sorvillo; The Milk Bar, Oakland (January 9th 2010) and The Oakland Noodle Factory Theater (July 2nd 2009)
New York City Ballet have used an excerpt from my tape piece 'Source of Uncertainty', Lincoln Center, La Stravaganza 2009.
Night Edge I for mezzo soprano, flute, piano and dancer 2007. Created in collaboration with Aurora Josephson (singer), Heather Frasch (flute), Myra Melford (piano) and Paige Sorvillo (dancer) 17th December 2007, Hertz Hall, University of California, Berkeley.
night bed is in mess for mezzo soprano, flute and piano. Premièred by singer Shie Shoji in the Kushiro City Art Hall, Hokkaido, Japan, August 2006.
like this (like this?) Instrumental music theatre for three cellists, premiered by Leighton Fong, Michael Graham and Paul Hale, Hertz Hall, University of California, Berkeley, May 2006.
Such Sweet Thunder Music re-mix and sound design. The Place Prize Finals, London, Sept 2006, Director/choreographer, Sarah Fahie.
In One Ear Music theatre. Co-production theatre-rites/Lyric Hammersmith. Oct 2004 - Jan 2005. British tour and 5 week London run at the Lyric Hammersmith. Scored for singer, violin, persussion and electronics. Director Sue Buckmaster.
Nocturne for Night Cleaning Music and sound design. Naked Fish Productions, The Place Theatre, 14 Feb, 2004. Director/choreographer, Sarah Fahie.
The Lover Electronic sound score. Choreodrome, The Place, London, August, 2003, experimental dance theatre production of the Pinter play, choreographed by Sarah Fahie.
Shopworks Music and sound design. theatre-rites/LIFT/Vienna Festival. London and Vienna, April - June 2003. Director Sue Buckmaster.
Fugue for a Furnished Flat Music direction and sound design. Naked Fish Productions, The Place Theatre, 14 Feb, 2003. Director/choreographer, Sarah Fahie.
The Registry Music and sound design. Hampstead Theatre and The Place Learning and Access, December, 2002. Director/choreographer, Sarah Fahie.
Submarine for piano, voice and tape. Naked Fish Productions, The Place Theatre, June, 2002. Director/choreographer, Sarah Fahie.
Borrowing Intimacy for violin, saxophone and tape. Collaboration with composer John Sweeney and choreographer Sarah Fahie, The Place Theatre, September, 1999.
Dangerous Talk for 2 sopranos. Second Stride's Choreodrome Workshop. The Place Theatre (London) and Cambridge, August 1997. Director, Ian Spink.
Goldmines Music and sound design. Clean Break Theatre Company, London's Et Cetera Theatre and National Tour, April - June 1997. Director, Nadia Molinari.
The Hour We Knew Nothing of Each Other Sound score. National Youth Dance Theatre, The Place Theatre, London, 1995; British Tour, 1996. Directors, Pete Brooks and Ian Spink.
The Empress's Feet a music theatre piece for solo voice; 20', 1995 (revised 1997.) Commissioned by Linda Hirst with funds from the Arts Council of England, premiered Dartington International Festival, 1995.
Canzonet for tape. Dance solo by Steve Goff, Islington Arts Factory & Lilian Baylis Theatre, 1994.
Sinking the Titanic for solo clarinet, 12'00, 1991. A music theatre piece commissioned by Ian Mitchell. Premiered in Coventry, 1991.
The Dragon Music and sound design. Theatre Clywdd, Welsh tour, Autumn 1991. Director, Janine Wunsche.
Corryvreckan Music and sound design, in collaboration with Francesca Hanley. Spark Theatre Company, Old Red Lion, 1990. Nominated Best Sound Design London Fringe Awards, 1991. Director, Janine Wunsche.
Dancing and Shouting for clarinet, voice and tape. Second Stride Dance Theatre, British tour, 1988. Arts Council of Great Britain Composers for Dance Award. Director/choreographer, Ian Spink.
Underground Man Music and sound design. Dark Horse Theatre Company, Brighton Nightengale Theatre 1987. Director Fiona Buffini.
Blindsight/Dogsound On-going dance theatre collaboration with dancer paige starling sorvillo; The Milk Bar, Oakland (January 9th 2010) and The Oakland Noodle Factory Theater (July 2nd 2009)
New York City Ballet have used an excerpt from my tape piece 'Source of Uncertainty', Lincoln Center, La Stravaganza 2009.
Night Edge I for mezzo soprano, flute, piano and dancer 2007. Created in collaboration with Aurora Josephson (singer), Heather Frasch (flute), Myra Melford (piano) and Paige Sorvillo (dancer) 17th December 2007, Hertz Hall, University of California, Berkeley.
night bed is in mess for mezzo soprano, flute and piano. Premièred by singer Shie Shoji in the Kushiro City Art Hall, Hokkaido, Japan, August 2006.
like this (like this?) Instrumental music theatre for three cellists, premiered by Leighton Fong, Michael Graham and Paul Hale, Hertz Hall, University of California, Berkeley, May 2006.
Such Sweet Thunder Music re-mix and sound design. The Place Prize Finals, London, Sept 2006, Director/choreographer, Sarah Fahie.
In One Ear Music theatre. Co-production theatre-rites/Lyric Hammersmith. Oct 2004 - Jan 2005. British tour and 5 week London run at the Lyric Hammersmith. Scored for singer, violin, persussion and electronics. Director Sue Buckmaster.
Nocturne for Night Cleaning Music and sound design. Naked Fish Productions, The Place Theatre, 14 Feb, 2004. Director/choreographer, Sarah Fahie.
The Lover Electronic sound score. Choreodrome, The Place, London, August, 2003, experimental dance theatre production of the Pinter play, choreographed by Sarah Fahie.
Shopworks Music and sound design. theatre-rites/LIFT/Vienna Festival. London and Vienna, April - June 2003. Director Sue Buckmaster.
Fugue for a Furnished Flat Music direction and sound design. Naked Fish Productions, The Place Theatre, 14 Feb, 2003. Director/choreographer, Sarah Fahie.
The Registry Music and sound design. Hampstead Theatre and The Place Learning and Access, December, 2002. Director/choreographer, Sarah Fahie.
Submarine for piano, voice and tape. Naked Fish Productions, The Place Theatre, June, 2002. Director/choreographer, Sarah Fahie.
Borrowing Intimacy for violin, saxophone and tape. Collaboration with composer John Sweeney and choreographer Sarah Fahie, The Place Theatre, September, 1999.
Dangerous Talk for 2 sopranos. Second Stride's Choreodrome Workshop. The Place Theatre (London) and Cambridge, August 1997. Director, Ian Spink.
Goldmines Music and sound design. Clean Break Theatre Company, London's Et Cetera Theatre and National Tour, April - June 1997. Director, Nadia Molinari.
The Hour We Knew Nothing of Each Other Sound score. National Youth Dance Theatre, The Place Theatre, London, 1995; British Tour, 1996. Directors, Pete Brooks and Ian Spink.
The Empress's Feet a music theatre piece for solo voice; 20', 1995 (revised 1997.) Commissioned by Linda Hirst with funds from the Arts Council of England, premiered Dartington International Festival, 1995.
Canzonet for tape. Dance solo by Steve Goff, Islington Arts Factory & Lilian Baylis Theatre, 1994.
Sinking the Titanic for solo clarinet, 12'00, 1991. A music theatre piece commissioned by Ian Mitchell. Premiered in Coventry, 1991.
The Dragon Music and sound design. Theatre Clywdd, Welsh tour, Autumn 1991. Director, Janine Wunsche.
Corryvreckan Music and sound design, in collaboration with Francesca Hanley. Spark Theatre Company, Old Red Lion, 1990. Nominated Best Sound Design London Fringe Awards, 1991. Director, Janine Wunsche.
Dancing and Shouting for clarinet, voice and tape. Second Stride Dance Theatre, British tour, 1988. Arts Council of Great Britain Composers for Dance Award. Director/choreographer, Ian Spink.
Underground Man Music and sound design. Dark Horse Theatre Company, Brighton Nightengale Theatre 1987. Director Fiona Buffini.
