music / sound design for film, installations and multi-media

short films about water / submarine 2008/9 This is an evolving collaboration with video artist/photographer Ian Winters, and is currently in two formats; film and installation. The film version has received screenings in 2008 at Moscow Autumn Festival; Journées de l'électroacoustique in Noisiel, Paris; and the MilkBar Live International Film Festival in Oakland, California. As an Installation it has had outings at Moving Baltic Festival (Aug 2008, St Petersberg, RU); Illuminated Corridor (May, 2009, Oakland Harbor) and Music by the Eyeful, (September 2009, The Luggage Store Gallery, San Francisco.)

Rendition for prepared piano, harpsichord and video. Collaboration with keynote+ (Kate Ryder and Jane Chapman) and photographer/video artist Ian Winters for the Cutting Edge Festival, London, October 2006. Subsequent performances in UK and California, 2007 and 2008.

these are my arms holding you – tearing you apart text soundscape for pre-show installation. Dance Mission, San Francisco, Feb 2007. Choreographer Paige Starling Sorvillo, video artist/set design Ian Winters.

Sound Garden outdoor sound installation, Hertz Hall, University of California, Berkeley; collaboration with composers Heather Frasch, Jeremy Hunt, Brian Kane, and John MacCallum, with artist Dawn Frasch, 22nd April 2006.

21 Grand gallery soundscape for Re-figured exhibition featuring photographs by Ian Winters. Electronic sound score, Feb 2006. Featuring recordings of accordianist Marié Abe.

Zozo feature film, co-sound design with Per Sundstrom of Ludligan, Sweden. Memfis Films, 2005. Directed by Josef Fares. Selected to represent Sweden for the Academy Awards, 2006.

Moerk feature film, sound edit/sound design for Clarity Post Production. Director Jannik Johansen, Fine and Mellow, Denmark, 2005.

Oh Happy Day feature film, sound edit/sound design for Clarity Post Production. Director Hella Joof, Nordisk Films/Fine and Mellow, Denmark, 2004.

last june - 4:30am 16mm/video, 11'23, 1997, sound score. Image: Suse Bohse. Screenings: UK, including Queen Elizabeth Hall, London 2000.

Time is all there is 16mm, 9 mins, 1995, electronic sound score. Image: Suse Bohse. Screenings: Hamburg, 1995; Lesbian and Gay Film Festival, London NFT, 1996.

Those Roads 9'07, 1994. Sound score. Commissioned by the Sonic Arts Network with funds from the London Arts Board. Image: Suse Bohse. Screenings: London, Holland, Germany, Greece.

Sirko 16mm, 38 mins; fiction, NFTS 1994. Director, Ineke Smits. Screenings: London NFT, Rotterdam, 1994; Dutch Television broadcast, 1995.

Songs Unheard 16mm, 27 mins, NFTS 1994. Director, Megumi Adachi. Scored for solo voice. Screenings: London NFT, BP Expo, Austria.

Silken Lines and Silver Hooks 35mm, 8 mins; NFTS 1993. Dir/Animator, Alison Pook. Scored for flute and electronics. Festival screenings: Munich, Paris, Poitiers, Rome, Edinburgh, Brest, Uppsala, Tokyo. Broadcasts: European Satellite, BBC2, 1995.

Augustine 16mm, 39 mins; NFTS 1991. Director, Coral Houtman. Scored for violin, viola, cello, clarinet, trumpet, soprano and percussion. Various festival screenings. Winner Grand Jury Prize for student film, Houston International Film and Video Festival.

Things of No Importance 16mm, 23 mins, NFTS 1991. Director, Baris Pirhasan. Scored for trumpet and double bass. Festival screenings.

Ages 16mm, 38 mins, 1990. Director Eric Styles. Scored for flute and piano. HTV broadcast July 1992.

Once I Dreamt of War 16mm, 12 mins; NFTS 1990. Director, Lisa Flores. Scored for guitar. Festival screenings.